Pascal Plante's new film 'Red Rooms' centers on Kelly-Anne, a model who becomes engrossed in the trial of Ludovic Chevalier, accused of gruesomely murdering teenagers while broadcasting it from the dark web. The film explores themes of voyeurism and the disturbing allure of serial killers, questioning viewers' motives for consuming such content. Critics praise its intelligent screenplay that avoids common narrative pitfalls and engages audiences without excessive exposition. Kelly-Anne's character is complex, embodying both fascination and a troubling identification with the killer, as she navigates her obsession with the trial and the internet’s dark corners. The film has already garnered a cult following ahead of its release, drawing comparisons to real-life crimes that have crossed into the digital realm. 'Red Rooms' critiques the misogyny inherent in horror while also reflecting on the nature of fandom in the digital age.