Abyssal Zone Collective Stages Apocalyptic Faith Critique in Chicago

Recent discussions and artistic works explore the complex relationship between faith, struggle, and cultural challenges faced by religious communities. The play Holy, Holy, Holy by Abyssal Zone Collective critiques the weaponization of Christian faith through a portrayal of apocalyptic rituals, highlighting the tension between faith and extremism. Meanwhile, civil engineering student Damell Scott exemplifies personal resilience and faith as he overcomes family hardships including his mother's battle with breast cancer, supported by a scholarship aimed at fostering education in Jamaica’s built environment. David Bonagura, Jr.'s new book addresses the exodus of young people from Christianity by providing reasoned answers to difficult questions about faith, emphasizing a personal relationship with God. Historically, institutions like Baylor University have grappled with balancing faith and academic freedom, as illustrated by past controversies rooted in debates over evolution and theology. Across these narratives, a recurring theme emerges: the importance of being prepared to defend and live out one’s faith amidst adversity and cultural shifts.