A review of John Cranko’s ballet adaptation of 'Romeo and Juliet' praises its vibrant designs and the performances of Mackenzie Brown as Juliet and Henrik Erikson as Romeo, highlighting the youthful energy and technical prowess displayed. Meanwhile, The Royal Ballet School announced changes to its audition process for the 2025/26 academic year, emphasizing inclusivity and a structured training pathway while discontinuing late entries to certain programs. In the revival of London City Ballet, the company showcases a mix of classical pieces and new works, including Kenneth MacMillan’s 'Ballade' and Ashley Page’s 'Larina Waltz,' as they embark on an ambitious tour. LA Opera’s presentation of Puccini’s 'Turandot' marks a return to the stage for the company, emphasizing the opera's fairy-tale qualities while celebrating the composer’s legacy. Lastly, the ballet 'Marguerite and Armand' reflects on the profound partnership between Margot Fonteyn and Rudolf Nureyev, adapting Alexandre Dumas’ love story into a poignant dance narrative. These events highlight the dynamic landscape of ballet and opera, showcasing both traditional and contemporary approaches to storytelling through performance.