Paris Olympics Organizers Apologize for Controversial Tableau

The Paris 2024 Olympics opening ceremony faced backlash for a tableau parodying Leonardo da Vinci's 'The Last Supper,' featuring drag queens and other performers, which many, including religious leaders and former athletes, condemned as disrespectful to Christianity. Organizers, including artistic director Thomas Jolly, defended the performance, stating it aimed to celebrate diversity and inclusivity, and was not intended to mock any religious beliefs. Despite their reassurances, the segment drew criticism from various factions, including the French Catholic Church and international political figures, who expressed concerns over the event's perceived mockery of traditional values. Jolly emphasized that the performance was meant to convey a message of love and acceptance, rather than division. The controversy has ignited a broader discussion about artistic expression versus sensitivity to religious sentiments, particularly in a secular society like France. The IOC has responded by stating they never intended to offend, extending apologies to those who felt hurt by the portrayal.