Jessica Anthony's novel 'The Most' examines the transformation of a mid-century American housewife who challenges her traditional role, while Jeff VanderMeer's 'Absolution' expands on his ecological-horror series with a prequel that avoids typical horror clichés. Hanif Abdurraqib's 'There's Always This Year' uses basketball as a lens to reflect on his Ohio upbringing, weaving personal and cultural narratives. Zara Chowdhury's memoir 'The Lucky Ones' provides a harrowing account of anti-Muslim violence in India, offering a personal and multigenerational perspective. In 'I'm Mostly Here to Enjoy Myself,' Glynnis MacNicol shares her Parisian quest for pleasure post-pandemic, exploring themes of freedom and self-discovery. Finally, Lisa Ko's 'Memory Piece' explores the evolving friendships and ambitions of three Asian American women, while Lydia Millet's 'We Loved It All' calls for environmental responsibility through personal reflections on love and nature.